Friday, December 27, 2019

The Imbalance of the Relationships in Hills like White...

Love in relationships intertwines two souls, two minds, and two bodies. It can grow and decay. It can be utterly selfish and entirely selfless. It is a silent agreement and a disruptive debate. It is both a question and an answer. It is a translucent dance between two imperfect beings, with melded minds and synced steps, to a melody of life. The slipups disrupt the chain of steps, and they can either learn and grow, or collapse and give up, or ignore it to where it is no longer a dance for two. In order for a relationship to flourish, it requires the right balance of guidance, communication, support and respect. The stories â€Å"Hills like White Elephants† by Ernest Hemingway and â€Å"Desiree’s Baby† by Kate Chopin, there are differences and similarities between the American and Armand, and Jig and Desiree; which, through the imbalance of influence, communication, and respect, it created instability in their relationships. When comparing the two men in the stories, the American and Armand, they both have many similarities. The two men’s names give them power and authority, which creates an imbalance of their relationships. â€Å"The American† is a foreigner and throughout the story in â€Å"Hills like White Elephants,† he is known as â€Å"the man† and his partner â€Å"the girl.† The author of the story has given a significant age difference between the couple. As being the man, it has given him power and authority, which outweighs the girl’s influence in their relationship. This gives the man a more

Thursday, December 19, 2019

The Paper of the Absurd a Literary Analysis of the Stranger

The Paper of the Absurd: A Literary Analysis of The Stranger By: Michael Lovett Advanced Placement English Language and Compositions 5th Period 13th of December, 2010 Michael Lovett In Albert Camus’ existential novel The Stranger, the pointlessness of life and existence is exposed and expounded upon in such a manner that the entire foundation of spirituality is shaken. The concept that drives this novel is one coined by Albert Camus himself, the â€Å"absurd†. Under the absurd, life is pointless and holds no meaning. One lives merely to fulfill the obligation of living. Also, every possible action conceivable is governed by the static tools of chance and coincidence. The dynamic character, Meursault, is the primary outlet that Camus uses†¦show more content†¦As a result, Meursault mechanically reacts and squeezes the trigger of the gun, firing one shot into the head of the Arab, killing him instantly. This is the point that chance loses it’s hold upon Meursault. He, in a sudden thought, realizes the absurdity of the world and that his entire life, as well as existence, is gratuitous and happens on chance (Books Abroad 234). Meursault then takes the first steps towards a self controlled existence and fires four more shots into the corpse of the Arab (Hunter 26). Now, he has fully acknowledged the presence of the absurd but has yet to accept it. He is still living in his shell of ignorance that can and will prevent him from any intellectual gain. His indifference has yet to lift. He sits through trial, imprisonment, appeal, and re-imprisonment, all with the detached feeling of uncaring. It will not be until he accepts absurdity that he can force himself to feel anything. The hardest part for Meursault is actually accepting the absurd because of the implications behind it. For him to accept, he would have to fully recognize that life, in fact, has no meaning and never will have any meaning. Also, he’ll have to agree that he himself has no purpose other than to live out his life under the assumption that after death, he can live no more. This mindset is hard for anyone to grasp, especially fo r those who spend the majority of their lives trying to rationalize their existence and answer the question,Show MoreRelatedHuman Relations in Camus Novel, The Outsider, from an Existentialist View2123 Words   |  9 Pagesare very important for any human, and differ from one age to another because of the emerging of different movements across time. The human relations with God, love, society, death etc†¦ are relations that human make to live his life. I study in this paper the human relations in The Outsider novel by Albert Camus from an existentialist view. I want to study Meursault relations who is the main character in Albert Camus’s novel The Outsider , Meursault is being executed because he kills an arab personRead MoreIbsen11859 Words   |  48 Pagesand Hedda Gabler, demonstrate the theme of captivity as a literary tool for the development of the female protagonist and as a performance guide for the portrayal of the female protagonist. The Theme of Captivity a s a Literary Tool for the Development of the Female Protagonist An Introduction to Captivity The term â€Å"captivity† connotes images of caged animals, slaves in bondage, and prisoners behind bars. Captivity in relation to the literary development of the female protagonist, and the performanceRead MoreThe 1950’s: The Meaning Behind the Decade Essay1835 Words   |  8 Pagesonly child between Edward and Regina O’Connor. She was raised in Milledgeville, Georgia, and received a Catholic education from middle school through high school. In college, Flannery O’ Connor grew to love writing and was the editor of her school paper. After graduation from Georgia State College for Women, Mary Flannery O’Connor dropped the ‘Mary’ from her name. She applied to journalism school at the University of Iowa. Here, Flannery O’Connor’s natural writing talent was immediately recognizedRead MoreLiterature: Compare and Contrast - Litera ry Devices5483 Words   |  22 PagesLiterature: Compare and Contrast Literary Devices Kathy J. Shannon University of Phoenix Mickeal M. Donald, Instructor September 3, 2010 Compare and Contrast Literature offers a variety of literary works by authors of all ages, writing non-fiction and fictional stories, poetry, and essays. The act of analyzing two different authors by both comparing their work and isolating their contrasting elements, can be difficult, yet rewarding. Oedipus Rex (Sophocles), written in 429 B.C., offers theRead Moredreams of vision9899 Words   |  40 PagesA Thesis ANALYSIS ON TRAGIC CHARACTER IN THE MAYOR OF CASTERBRIDGE By ANDRI HERMANSYAH 102026024515 ENGLISH LETTERS DEPARTMENT FACULTY OF ADAB AND HUMANITIES SYARIF HIDAYATULLAH STATE ISLAMIC UNIVERSITY JAKARTA 2009 APPROVEMENT ANALYSIS ON TRAGIC CHARACTER IN THE MAYOR OF CASTERBRIDGE A Thesis Submitted to the Faculty of Adab and Humanities In Partial Fulfillment of the Requirements For the Degree of Strata (S 1) By ANDRI HERMANSYAH 102026024515 Advisory: INAYATULRead MoreRomanticism and Modernism as Strange Bedfellows: A Fresh Look at Jack Kerouacs On the Road12240 Words   |  49 Pagesstriding behind you Or your shadow at evening striding to meet you; I will show you fear in a handful of dust. The Waste Land—T. S. Eliot On 2 April 1951, in a loft in New York City, Jack Kerouac fed 120 feet of Japanese drawing paper into his typewriter, and for the next 20 days or so, began typing up his â€Å"road† notes from a series of notebooks that documented his travels across the United States and Mexico. These notes were compiled and fictionalized into a bildungsroman taleRead MoreThe Function of Criticism at the Present Time12631 Words   |  51 Pagescreative power not working with these can be very important or fruitful. And I say current at the time, not merely accessible at the time; for creative literary genius does not principally show itself in discovering new ideas; that is rather the business of the philosopher; the grand work of literary genius is a work of synthesis and exposition, not of analysis and discovery; its gift lies in the faculty of being happily inspired by a certain intellectual and spiritual atmosphere, by a certain order of ideasRead MoreMetz Film Language a Semioti cs of the Cinema PDF100902 Words   |  316 Pages90-46965 C1P The French edition of Christian Metz s Essais sur la signification au cinema, volume 1, was published by Editions Klincksieck in 1971,  © Editions Klincksieck, 1968. ÃŽËœThe paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences-Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992. To George Blin, Profesor at the Collà ¨ge de France, whithout whom none of these pages would have been started. CONTENTS A NoteRead MoreAmerican Slang Essay 115481 Words   |  62 PagesINTRODUCTION The present graduation paper deals with the study of slang as a part of language which presents certain interest both for the theoretical investigation and for practical language use. Slang is the use of highly informal words and expressions that are not considered standard in the speakers dialect or language. Slang is often highly regional, specific to a particular territory. Slang terms are frequently particular to a certain subculture, such as musicians, and membersRead MoreRastafarian79520 Words   |  319 Pagesstudents who are interested in reggae music and the music of Bob Marley, but they remain deeply puzzled by Rastafarianism because of its seemingly peculiar tenets of faith. Some of the oddities that would seem to suggest that Rastafarianism is an absurd religion include: 1. Rastafarianism has been around for only about seventy years. Yet in that time it has gained inexplicable fame around the world, boasting converts from all races and nationalities. 2. Adherents of the faith appear to be relatively

Wednesday, December 11, 2019

Shrek review Essay Example For Students

Shrek review Essay She acts strange when sunset comes near. She does this in a number of occasions. She decides to camp while they are on there way to Farquads kingdom and during the wedding vowels with Farquad, she wants to skip it when she see the sun setting. One example of Princess Fionas feistiness is Shrek rescues her, but doesnt slay the dragon, which he is meant to do first. Fiona speaks to Shrek in a modernised way with a different tone to her voice: You didnt slay the dragon? Shrek responds: Its on my to-do list. This is a fine example, especially when Shrek plays the same game as her. It is obvious that Shrek and his sidekick Donkey are the heroes of the film. Shrek becomes jealous of Farquad and tries to stop the wedding between Princess Fiona and Lord Farquad. Donkey helps him with his plan. Shreks succeeds when Princess Fiona gets exposed to the sun set when she turns into an ogre, just like Shrek. Lord Farquad wants them dead, so they both fight Farquads men, but they cannot win. Donkey saves the day when he and the dragon they didnt slay destroy the men and the dragon eats Farquad. Shrek and Fiona kiss and then Fiona turns into a ray of light and then stays the same. A touching moment in that scene when Fiona says shes ugly, but Shrek says shes beautiful which enlightens her. The film includes a whole host of fairy tale characters, which Disney now uses. DreamWorks can get away with it because the movie is a parody and Disney did not create the characters shown they were characters (and legends) created decades and centuries ago, many by book authors. DreamWorks also makes fun of Disney. What makes Shrek a classic in its own right is that it successfully pokes fun at other animated movies and past fairy tales (Pinocchio, Beauty and the Beast, Robin Hood, Peter Pan, etc. ) while subtly presenting itself as a fairytale at the same time. Shrek also includes spoofs from other movies. Some examples are When Tinkerbell falls on Donkey and he says I can fly and people around including three little pigs, go say, He can fly, he can fly it is referencing Disneys Peter Pan movie. When Donkey is flying he says You might have seen a house fly, a super fly, but I bet youve never seen a Donkey fly. This is a reference to Disneys Dumbo. When Shrek crosses the bridge to the Castle and says, Thatll do, Donkey, thatll do he is referencing the movie Babe. Fiona singing to blue bird is a reference to SnowWhite and the Seven Dwarfs. Princess Fiona fighting the Merry Men is a lengthy reference to The Matrix. Transformation scene at the end strongly references Beauty and the Beast. Gingerbread Man at the end with a crutch (and one leg) saying, God bless you everyone is a reference to little Timmy in A Christmas Carol. Shrek is a colourful film, which is meant for kids, but adults too can join and see the fun that Shrek has to offer. The characters also reflect their vocal talents. Shrek is an ogre, big, just like Chris Farley who was supposed to do the voice of Shrek. But he passed away so Mike Myers took over. Playing Shreks sidekick is a donkey named Donkey. For the voice, the Shrek team selected Eddie Murphy. Murphys last experience as a voice over artist came in Disneys Mulan where he played Mulans sidekick, Mushu the Dragon. Eddie Murphy, who is funny, clever and finds a solution to every situation uses over the top acting. Playing the role of the princess who is unlike any past animated fairy tale princess is actress Cameron Diaz. .u9f56a417d110396d3eec390c32e779c0 , .u9f56a417d110396d3eec390c32e779c0 .postImageUrl , .u9f56a417d110396d3eec390c32e779c0 .centered-text-area { min-height: 80px; position: relative; } .u9f56a417d110396d3eec390c32e779c0 , .u9f56a417d110396d3eec390c32e779c0:hover , .u9f56a417d110396d3eec390c32e779c0:visited , .u9f56a417d110396d3eec390c32e779c0:active { border:0!important; } .u9f56a417d110396d3eec390c32e779c0 .clearfix:after { content: ""; display: table; clear: both; } .u9f56a417d110396d3eec390c32e779c0 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u9f56a417d110396d3eec390c32e779c0:active , .u9f56a417d110396d3eec390c32e779c0:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u9f56a417d110396d3eec390c32e779c0 .centered-text-area { width: 100%; position: relative ; } .u9f56a417d110396d3eec390c32e779c0 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u9f56a417d110396d3eec390c32e779c0 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u9f56a417d110396d3eec390c32e779c0 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u9f56a417d110396d3eec390c32e779c0:hover .ctaButton { background-color: #34495E!important; } .u9f56a417d110396d3eec390c32e779c0 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u9f56a417d110396d3eec390c32e779c0 .u9f56a417d110396d3eec390c32e779c0-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u9f56a417d110396d3eec390c32e779c0:after { content: ""; display: block; clear: both; } READ: The butterfly effect EssayShe describes the princess as a little spark plug. What makes Shrek different for Diaz is that it is her first ever voicing of an animated character. One of Diazs sequences in the movie includes a fight scene that mimics some moves from The Matrix. Diaz was psyched about that part of the movie because she was doing intense daily martial arts training for Charlies Angels. John Lithgow was the vocal talent Lord Farquad. When storyboard artists and other crew pitch an idea to the directors, they act out the characters in the sequence, including character dialogue. The Shrek filmmakers were so impressed with some of these performances that they cast some of their crew as animated character voices. This includes story artist Conrad Vernon as the Gingerbread Man, Chris Miller as Geppetto (and as the Magic Mirror), Cody Cameron as Pinocchio (and one of the three little pigs), and Christopher Knights as one of the three blind mice. A few real life voice artists did make their way into Shrek. One well-known voice artist, Jim Cummings, was cast as the Captain of the Guards. Cummings has voiced over 100 animated characters in his lifetime. This includes voicing Tigger and Winnie the Pooh in last years Disney animated film, The Tigger Movie. The 3-D animation is very realistic. It has a very smooth gradient and uses soft shapes. The lighting also looks very real. There are shadows where there should be shadows and very natural looking sunlight and moonlight. Reflections seen in Armour also add to a sense of realism. I even noticed some backlight on Lord Farquad and his army when they ride in to one scene, giving him the halo affect. Light coming through stained glass windows in the last scenes is also quite effective. Unfortunately, some of the backgrounds scenes look very unrealistic and make the shots look quite shallow. The use of color is suggestive of fairytale scenes. Pastures and woods are very green, flowers are very bright, and sunsets are very golden. In contrast, Lord Farquads town is gray, suggesting boredom and fitting with his character. The evil castle is dark and haunting, as is the surrounding land. Lots of red and black are used in the castle scenes, to convey the danger and heat from the fiery pits. The evil dragon is first seen as black but then when you realize that its a girl, her real color is revealed. Realistic camera framing and movement is used effectively too, and include a wide shot of the village, camera height and tilt to the reveal bad guy, tilt to reveal the height of castle, Over the Shoulder two Shots, Point of View and close-ups. Special effects type of shots is really effective in conveying the humor. Slow motion running as they run from the dragon parodies action movies. End of the day its a very good movie, which can be enjoyed again and again. A masterpiece, and due to its popularity a sequel is on its way.

Tuesday, December 3, 2019

Stanford White Essays - Stanford White, William Rutherford Mead

Stanford White Stanford White, the son of Richard Grant White a noted writer, editor, music critic, and Shakespearean scholar, was born in New York City on November 9, 1853. As a boy, he showed a talent and interest in drawing and the arts, which was greatly encouraged by his family. Although he had no formal training in art, he attended private schools and studied under tutors, Stanford White demonstrated a remarkable artistic gift; he was able to convey an outdoor atmosphere or a particular mood on paper. He wanted to follow a career as a painter, but did not know how to prepare himself. Most American painters were self taught, and art instruction was scarce at the time, so White went to painter John La Farge, a friend of his father, for advice. La Farge bluntly told young White to abandon his thoughts of a career as a painter. He suggested that White should try a career in architecture instead. At the age of sixteen, White was introduced to Henry Hobson Richardson, one of the first Americans to study at the Ecole de Beaux Arts in Paris. The Ecole de Beaux Arts served as the first source for formal American architecture. When Richardson met the tall, thin freckle faced child, he was impressed with White's enthusiasm, an enthusiasm that later characterized him as a mature man. At the age of nineteen, after studying for a while in New York, White went to work for Richardson in New York as a student draftsman. White quickly developed skill in design. He worked with as one of Richarson's chief assistants on many important works. While working, White met his future partner Charles McKim, who also attended the Ecole de Beaux Arts, and worked for Richardson the same time White did. In 1872, McKim left his job to start his own architectural firm with William Rutherford Mead and William Bigelow as partners. White left Richarson's office on an extended visit to Europe ! in 1878. When he was in France, he met up with McKim again, and the two traveled together through southern France and Spain. In 1880, as a result of the trip, White was asked to join McKim and Mead as partnership; Bigelow had retired.McKim, Mead, and White had a very successful partnership, which can be seen in all the buildings they designed. In 1884, White married Bessie Springs of Smithtown. Three years later, they had a son, Lawrence Grant White, who later went on to become an architect, join with his father's firm in 1914, and in 1920 become a partner. White was a connoisseur of beautiful things in architecture, other arts, antiques, decoration, and in women. One woman White found to be attractive was a sixteen year old artist model and chorus girl, Evelyn Nesbit, with whom he became romantically involved. White at the time was living apart from his wife. He was living in New York city, and she was living in their house in St. James. A few years later, Evelyn Nesbit married Harry K Thaw, the son of a rich railroad tycoon. Thaw lived a wild life, and was said to be a drug addict. He was madly jealous over the affair his wife had, before they were married, with White. Stanford White died, at the age of fifty-three, at the height of his fame and popularity. On the evening of June 5, 1906, while attending the summer opening of the Garden's Roof Show, White was killed by Harry Thaw, who had approached and shot him from the rear. Stanford White was a man of his times; he was definitely a colorful person who believed in living well. For two decades, he was a commanding force in New York life. As well, he was a leading man in turn of the century, upper class New York social life. Which would have been different had it not been for White's strong personality and influence at the center of so many events. As an architect, he maintained high standards for comfort and design, with some of his buildings being the most notable of the time. With his partners, White dominated his profession in the United States for some time. The firm of McKim, Mead, & White was